Untitled

About this work

Keith Haring began in the New York subway: on empty advertising panels covered with black paper he drew in white chalk, fast, without corrections, because a policeman could arrive at any moment. He was arrested more than once, and all those hundreds of drawings were erased.

Haring’s line has no varying weight and no shadow — it is a closed contour filled with even colour. Mosaic can do precisely that, giving up nothing.